Apophis (Kyle Rotolo)
Kyle Rotolo
view composer page

Duration:
6-10 minutes
08:00
Year Written:
2014
Instrumentation:
piccolo,flute,2 oboes,2 clarinets,2 bassoons,4 horns,2 trumpets,2 trombones,bass trombone,oud,voice,timpani,3 percussion,piano,harp,strings




















































More information about this work please fill out the form below.
Thank you! Your submission has been received!
Oops! Something went wrong while submitting the form.
N.A.S.A. experienced a brief period of deep consternation in December 2004 when scientists discovered a half-mile-wide asteroid on what was then thought to be a collision course with Earth. They named the asteroid “Apophis” after the mythological enemy of the Egyptian sun-god Ra. While N.A.S.A. has since reneged on their prediction that Apophis would collide with our planet within the next 30 years, the possibility of total annihilation still looms over our heads in some way.
I do not often use doom and gloom as inspiration for my music, but when I heard Stephen Hawking recount this harrowing tale on an episode of his Discovery channel miniseries “Into the Universe,” I could not help but conjure a musical reaction in my mind’s ear. The resulting piece is this eight-minute tour-de-force for orchestra in a moto perpetuo style, as the asteroid comes barreling toward its celestial target with immeasurable force.
In an act of artistic denial of this hopeless scenario, I dared to search for hidden joy. I believe I have found some. Perhaps there is a silver lining to knowing that everyone on the planet will suffer the same fate at the same time, together as one human race. If we all received the grim news that there will be no tomorrow for anyone, would there be any time for slander, for injustice, for war?
I would never wish such a dreadful nightmare to come true, and I am happy that N.A.S.A. withdrew their eschatological prediction. However, in a moment of dark imagination, I chose to musically illustrate a global killer hurdling toward Earth, while humanity sings rising melodies in defiance of the force of nature that will never break its spirit. Perhaps we do not need this story to be true to learn from it.
~KPR
I do not often use doom and gloom as inspiration for my music, but when I heard Stephen Hawking recount this harrowing tale on an episode of his Discovery channel miniseries “Into the Universe,” I could not help but conjure a musical reaction in my mind’s ear. The resulting piece is this eight-minute tour-de-force for orchestra in a moto perpetuo style, as the asteroid comes barreling toward its celestial target with immeasurable force.
In an act of artistic denial of this hopeless scenario, I dared to search for hidden joy. I believe I have found some. Perhaps there is a silver lining to knowing that everyone on the planet will suffer the same fate at the same time, together as one human race. If we all received the grim news that there will be no tomorrow for anyone, would there be any time for slander, for injustice, for war?
I would never wish such a dreadful nightmare to come true, and I am happy that N.A.S.A. withdrew their eschatological prediction. However, in a moment of dark imagination, I chose to musically illustrate a global killer hurdling toward Earth, while humanity sings rising melodies in defiance of the force of nature that will never break its spirit. Perhaps we do not need this story to be true to learn from it.
~KPR
Recordings
No recordings found.
ACO PERFORMANCES
23rd Underwood New Music Readings (2013-2014)
Recording
Journey
Neither man nor money validate my worth
Water Sings Fire - Excerpt
The Winter that United Us
Song of the Flaming Phoenix: Symphonic Poem for Sheng and Orchestra by Fang Man
Words for Departure for choir and orchestra by Hilary Purrington
No Thing Lives to Itself by Robin Holcomb
Red Dirt | Silver Rain (excerpt)
Bolero/Bachata from Tumbao
"Tumbao" Movement 1 "Salsa"
Yvette Janine Jackson Interview with Garrett McQueen
Mark Adamo + Jeffrey Zeigler in conversation with Garrett McQueen
Weathering by George Lewis
Lisa Bielawa: Sanctuary, Violin Concerto. mvt 3
Lisa Bielawa, Sanctuary, Violin Concerto mvt 2
Lisa Bielawa, Sanctuary, Violin Concerto mvt 1
Prophecy in Reverse by Paula Matthusen
Invisible Portals by Dai Wei
Tuxedo: Vasco 'de' Gama (2020) by Hannah Kendall
Restless Oceans by Anna Clyne
Viet Cuong + Victor Caccese of Sandbox Percussion in conversation with Garrett McQueen
Hello, Tomorrow! - Yvette Janine Jackson
Interview with Guillermo Klein
Chrystal E. Williams & Felipe Hostins in Conversation with Loki Karuna
Rei Hotoda in Conversation with Curtis Stewart
Kaki King and D. J. Sparr in Conversation with Curtis Stewart
Kaki King /D J Sparr - The Divided Mind from Modern Yesterdays
Kaki King - Puzzle Me You from Modern Yesterdays
Kaki King - Can’t Touch This or That or You or My Face from Modern Yesterdays
Kaki King - God Child from Modern Yesterdays
Materia Prima by Carlos Bandera
Floodplain by Ellen Reid
Fate Now Conquers by Carlos Simon
Her Land, Expanded by Tonia Ko
Right Now - John Glover/Kelley Rourke
Lowak Shoppala' (Clans) by Jerod Tate
Jazz Symphony by George Antheil
Spirituals for String Orchestra: 10. Homage To Ravel (An Arrangement of “Balm in Gilead”) by Steven R. Gerber
Frailejón by Samuel Torres
Demografía acústica: % / Acoustic Demography: % by Sofía Scheps
Dirty Ice by Madeline Merwin
Kaleidoscope by Eunsung Kim
Statements- a journal entry by Malachi Brown
After the Freeze by Anuj Bhutani
Hommage à Khāleqī by Daniel Sabzgabaei
Mimi's Song by Amy Nam
Gia Đình by Oswald Huỳnh
Rencontres by Brittany J Green
I forgot to say good morning today by Henry Dorn
Feast of Particles by Younje Cho
Fetters by Yuqin Strucky Yi
Increment by Will Stackpole
Restrung by Tommy Dougherty
Ashes and Embers by Yuting Tan
Wraith Weight by Elijah Smith
Bolghar by Adeliia Faizullina
Persephone by Patrick Holcomb
Tomas Peire Serrate: Rauxa
Lowak Shoppala' (Clans) by Jerod Tate
Right Now by John Glover & Kelley Rourke
Fate Now Conquers by Carlos Simon
Carlos Simon in Conversation with Garrett McQueen